Author Archives: Ian Hsu

Zhong Kui (Ian Hsu)

Title: Zhong Kui

General Information about Item:

  • Custom, Superstition
  • Language: Chinese
  • Culture of Origin: Chinese
  • Informant: BF
  • Date Collected: 10-25-21

Informant data: 

BF is an Asian-American who grew up in the California Bay Area. He grew up in a predominantly Asian community, and so was surrounded by Chinese culture all his life. Following high school, he underwent university studies in Los Angeles, where he resides at time of interview. 

Cultural context: 

Social context: I once visited my BF in his home, and saw a peculiar-looking statue near his doorway. I remembered this, and asked him about it recently, thinking that it might have to do with supernatural creatures. Upon asking him what this was, he told me the story that had been told to him by his parents, who were born in China and immigrated to the US. 

Cultural Context: Many Chinese people often put statues of Zhong Kui next to their doorways. It is thought that this statue embodies the presence of Zhong Kui, and in doing so protects the home from evil spirits, and in doing so allows the house to have better fortune. 

Item: 

According to folklore, there was once a smart but ugly man named Zhong Kui who travelled to the state capital city to take the imperial examination that would allow him to achieve a high status in society. Zhong Kui scored very well, and was supposed to be awarded the highest score. However, when the emperor saw how ugly he was, he refused to grant him the title. Out of anger and frustration, Zhong Kui committed suicide. After his death, he was given divine judgment and sentenced to Hell because he had committed the sin of suicide. However, the Chinese King of Hell recognized his intelligence and potential, and gave him the job of hunting and capturing escaped ghosts to maintain order throughout hell. As a result, people often put statues of Zhong Kui near the door in order to make sure evil spirits do not come in. 

Informant Comment: 

BF does not really believe in this superstition. It is more a family tradition. 

Collector Comment: 

I wonder if there is some correlation between having a terrifying statue near the doorway. Perhaps, in the past, thieves were scared off by a terrifying and ugly statue.

Tags/Keywords:

  • Custom
  • Superstition

Guan Gong (Ian Hsu)

Title: Guan Gong

General Information about Item:

  • Custom, Superstition
  • Language: Chinese
  • Culture of Origin: Chinese
  • Informant: TC
  • Date Collected: 10-25-21

Informant data: 

TC is an Asian-American who grew up in the California Bay Area in a predominantly Asian community. Because he is of Chinese descent himself, he was constantly surrounded by Chinese culture. Following graduation, he moved to New York City for university studies, where he is currently a computer science student. 

Cultural context: 

Social context: In a conversation recently with TC, he made a joke comparing his brilliance to Guan Gong. Confused, I asked him who Guan Gong was, after which he launched into the short explanation detailed below. 

Cultural Context: Because of Guan Gong military might, many fighting organizations such as martial arts temples, police organizations, and even the Chinese Triads have statues of him as a means of embodying his fighting spirit. Additionally, some people have statues of him as a means of defending against thieves as well, since he is a guardian of morality. 

Item: 

During the time of the Han dynasty, there was a general known as Guan Yu who was recognized for his military success. Throughout the years, he was given increasingly higher titles, and during the Qing dynasty he was granted the title of Holy Deity who is guardian of morality. Because of his role as a defender of morality, it is thought that placing his statue near the doorway defends against thieves and evil spirits. 

Informant Comment: 

TC did not really believe in the superstition, but liked the idea of the strong general defending against evil. 

Collector Comment: 

It seems that there is a trend of more people keeping superstitions more out of tradition than out of belief. It would be interesting to study this demographic shift.

Tags/Keywords:

  • Custom
  • Superstition

Hungry Ghosts (Ian Hsu)

Title:  Hungry Ghosts

General Information about Item:

  • Custom, Superstition
  • Language: Chinese
  • Culture of Origin: Chinese
  • Informant: MR
  • Date Collected: 10-25-21

Informant data: 

MR grew up in the California Bay Area in a predominantly Asian neighborhood. MR is of Chinese descent himself and was also constantly surrounded by Chinese culture. Following graduation from high school, MR began university studies at UC Berkeley, where he is currently an electrical engineering and computer science student. 

Cultural context: 

Social context: Upon inquiry about historical traditions, MR told me about a tradition his family does from time to time of going to a temple to burn incense. Presumably, he learned this tradition from his parents, who he goes to the temple with from time to time. 

Cultural Context: The Hungry Ghost Festival occurs every year on the Lunar calendar’s 15th day of the seventh month. During this day, it is believed that the dead ghosts come out from their places of rest and it is their descendants’ duty to pay homage to them with offerings of food and paper money. As a result, people light incense sticks and burn joss paper (representative of money) so that the ghosts of their ancestors do not become angry spirits that haunt them. 

Item: 

MR said that his family occasionally goes to the temple during the Hungry Ghost Festival to make offerings to our ancestors. The last time he went, he says they brought “a bag of oranges, some paper money, and several sticks of incense”. After placing the oranges on the altar, the money was burned in a nearby fire pit, and the incense sticks were lit and placed upright inside of an ashtray to burn slowly. In this way, the spirits are happy and do not haunt people. 

Informant Comment: 

MR said that he did not really believe in these customs, but enjoyed spending time with his family. 

Collector Comment: 

It would be interesting to investigate the origin of this custom.

Tags/Keywords:

  • Custom
  • Ritual
  • Superstition

Chinese Mugwort (Ian Hsu)

Title: Chinese Mugwort during the Dragon Boat Festival

General Information about Item:

  • Custom, Superstition
  • Language: Chinese
  • Culture of Origin: Chinese
  • Informant: JH
  • Date Collected: 10-20-21

Informant Data:

JH is a Taiwanese national who immigrated to the California Bay Area in the 1980s. He currently lives in a predominantly Asian community and has seen Chinese culture for all of his life. He currently works as an IT engineer in the California Bay Area. 

Contextual Data:

Social Context: I recently had a conversation with JH where I asked about a situation several years ago when JH handed me a sachet filled with pleasant-smelling herbs. As I was young at the time, I took for granted that it would bring me good luck. I did not inquire further until recently, when I remembered the situation and asked about it. 

Cultural Context: The Dragon Boat Festival is an annual festival that lies on the fifth day of the fifth month of the lunar calendar. The festival is meant to reinforce good health, as it is believed that natural disasters and illnesses are common during this month. During this time, people believe that Chinese mugwort can ward off evil spirits. 

Item: 

During the Dragon Boat Festival, it is thought that more ghosts may come out and spread disease. To protect children against disease spread by these ghosts, children are given perfumed medicine bags filled with dried Chinese mugwort. In this way, it is thought that children are able to ward off evil. 

Informant Comment: 

JH thought that these medicine bags smelled good. 

Collector Comment: 

It was unclear whether the informant actually believed this superstition, or if this was more a tradition. 

Tags/Keywords:

  • Custom
  • Superstition

Nian (Ian Hsu)

Title: Nian

General Information about Item:

  • Folklore, customs
  • Language: English
  • Country of Origin: Chinese
  • Informant: VH
  • Date Collected: 10-20-21

Informant Data:

VH grew up in Taipei City in Taiwan before immigrating to the US in 1989 in pursuit of tertiary education in Dallas, Texas. Following the receipt of her degree, she moved to the California Bay Area to work and has resided in a predominantly Asian community there ever since. She grew up surrounded by Chinese culture and is of Chinese descent herself.

Contextual Data:

Cultural Context: Every year during Chinese New Year, people set off firecrackers, fill their house with red-colored objects, and use bright lights all night. This is done in order to scare off an ancient monster named Nian, whose story is written below.

Social Context: Reflecting on Chinese New Year, I asked VH why people were setting off firecrackers and she told me the following story in return. Presumably, she learned this from her own family in Taiwan in her youth. No other people were present.

Item:

Every year during Chinese New Year, it is believed that a monster known as Nian would come out from the ocean where it lived and eat people and livestock. As a result, villagers would usually flee to the mountains on that day to escape Nian. However, one day an old man came to the village and said he could drive the beast away. The villagers did not believe him, and ran away anyway. However, the old man stayed, and was able to drive away Nian with red-colored items, firecrackers, and bright lights. Once the villagers returned to find him alive, they believed that these were used to scare Nian away. As a result, every year on Chinese New Year, people use the color red, firecrackers, and bright lights to scare away Nian.

Informant Comment:

VH thought these traditions were all in good fun.

Collector Comment:

It was unclear whether the informant actually believed this superstition, or if this was more a tradition.

Tags/Keywords:

  • Custom
  • Folktale
  • Superstition

Defenses against supernatural creatures (The Introduction)

Why we chose this topic: 

  • Supernatural beings are a uniquely good insight into the morals of a culture
  • Common practice to ward off found across many cultures,  but methods vary dramatically

Our process: 

  • We each chose a specific culture to focus on and collect stories from (e.g. Chinese, Sri Lankan, Nepali etc.)
  • Each of us collected 5 examples, so the seven members of the group collected 35 pieces of folklore total

Similar themes we noticed:

  • Spirits and demons the primary cause of many evils, particularly those thought beyond ancient human control like disease and famine
  • Across cultures, objects or symbols are used to ward off evil beings.
  • Across cultures, another method used to ward off evil beings is through behavior.  For example being naughty will get you punished so do not be naughty.