Author Archives: Sruthi Pasupuleti

Men’s Handshake

Title: Men’s Handshake Ritual

General Information about Item:

  • Customary Folklore: Tradition, Ritual
  • English
  • USA

Informant Data:

  • Dami Apoeso is 21 years old and was born in Hartford Connecticut. He grew up in the Bronx, New York City and currently lives in Spring Valley, New York. He is majoring in computer science. He danced for approximately 6 years in a summer camp before joining Sheba his sophomore year at Dartmouth.

Contextual Data:

  • Social Context

All male members of Sheba know and use the handshake. The handshake is used before performances, during practices, and any time one male member sees another male member around campus. The informant created the handshake two years ago.

  • Cultural Context

Sheba tries to be an inclusive group and considers itself a family. The handshake has helped strengthen the bond between male members of the group.

Item:

All male members of Sheba know and use a special handshake. Any time a male member sees another one around campus they use this special handshake. Specifically the handshake is used before performances. A video of the handshake is included below.

Associated file (a video, audio, or image file):

Handshake

Informant’s Comments:

The informant believes this handshake has really strengthened the bond between the male members of the team and created the feeling of a “brotherhood”.

Collector’s Comments:

When collecting this folklore, the group wondered if this could possible be considered fakelore. The informant explained to us that the reason he created the handshake was because female members of the team had their own rituals and the male members wanted their own as well. However, once enough time has passed, if the handshake continues then this ritual can truly be considered folklore and not fakelore. The creator of this handshake is graduating this year, and if the handshake continues after he is no longer a member of the team, this will indicate that the handshake has truly become a valuable tradition on the team.

Collector’s Name: Marcus Reid

Compiled/Analyzed by: Sruthi Pasupuleti

Tags/Keywords:

  • Dance
  • Team
  • Ritual
  • Handshake
  • Tradition

Sheba Huddle

Title: Sheba Huddle

General Information about Item:

  • Customary Folklore: Ritual, Tradition
  • English
  • USA

Informant Data:

  • Dami Apoeso is 21 years old and was born in Hartford Connecticut. He grew up in the Bronx, New York City and currently lives in Spring Valley, New York. He is majoring in computer science. He danced for approximately 6 years in a summer camp before joining Sheba his sophomore year at Dartmouth.

Contextual Data:

  • Social Context

All members of the group who are present at the time participate in the huddle. The team does a huddle before every performance and at the end of every practice. Even if a member is present but not dancing they participate in the huddle. The informant does not remember when the tradition started but believes it has been happening since he joined the team.

  • Cultural Context

Sheba tries to create an inclusive culture and treat the team as a second family, and doing a huddle at the end of each practice and before performances allows the members to bond with each other. Sheba is also a high energy dance group, and they purposefully do the huddle loud enough for the audience to hear them even though the team is backstage. This helps Sheba get the audience excited and energized before they have even begun dancing.

Item:

Group members get in a circle with one hand in the center of the circle. A member, usually the captain or director of the team, will lead the team in chanting, “1, 2, 3, Sheba!”. Sometimes the person who leads the chant may say a few words first.

Associated file (a video, audio, or image file):

Sheba Huddle

Transcript of Associated File:

“We would do our Sheba huddle. We make sure we do it loud enough so that the crowd outside can hear us and know that we are about to perform. And we do this at um we do this before every show and we do this at the end of every practice”

Group: “1, 2, 3, Sheba!”

Informant’s Comments:

Informant believes that the huddle is a ritual that gets the team energized and excited before a performance, and a way to connect with other members after a potentially tiring, or difficult practice.

Collector’s Comments:

Many teams and groups have huddles, but it is very interesting that Sheba purposefully makes their huddle loud enough for the audience to hear. This reflects on the high energy culture of the group.

Collector’s Name: Marcus Reid

Compiled/Analyzed by: Sruthi Pasupuleti

Tags/Keywords:

  • Dance
  • Team
  • Tradition
  • Ritual

Rhyming Games

Title: Rhyming Games

General Information about Item:

  • Customary Folklore: Ritual, Tradition
  • English
  • USA

Informant Data:

  • Connor Lehan is 21 years old and was born in Providence, Rhode Island. He grew up in Boston, Massachusetts and currently lives there. He has been a member of Casual Thursday since his freshman fall. He had no experience with improvisation before joining Casual Thursday.

Contextual Data:

  • Social Context

Casual Thursday plays rhyming games before performances and often during practices. All members of the group who are present at the time participate. The group began playing rhyming games in 2001 when the group was founded. Playing the rhyming games gets the group members thinking quickly and increases their energy without tiring them out.

  • Cultural Context

The rhyming games are extremely spontaneous and often silly, and this reflects the carefree culture of Casual Thursday.

Item:

Casual Thursday has many pre-performance songs and chants that rely on spontaneous rhyming. These games rely on group participation and have the participants rhyme and sing on the spot. An example of one of this games is “My Mother Don’t Wear No Socks”. A video is included below demonstrating this game.

Associated file (a video, audio, or image file):

Casual Thursday Rhyming Game

Transcript of Associated File:

“One that we did last night was, the song is called ‘My Mother Don’t Wear No Socks’. ‘Bum bum bum bum bum bum bum ba bum bum bum bum bum bum bum ba bum bum’. And during that, whoever is up, the person next to them whispers a word into their ear. Say the word is, house. So ‘bum bum ba bum bum bum’.  And the person goes, ‘my mother don’t wear no socks, ba dum ba. I was there when sh took them off, ba dum ba.  My mother lives in a house, ba dum ba, and she shares it with a mouse, ba dum ba’. And then they whisper to the next person and you just go around and everyone has a verse.”

Informant’s Comments:

The informant believes that this game as well as many of the other spontaneous and silly rituals Casual Thursday have help group members become confident with being spontaneous and carefree in front of groups of people.

Collector’s Comments:

This game is another one of Casual Thursday’s traditions that really captures the culture and essence of the group. Not only does it play off of the group’s carefree culture, but it also helps members get excited, warmed up and ready for performances.

Collector’s Name: Shinar Jain

Compiled/Analyzed by: Sruthi Pasupuleti

Tags/Keywords:

  • Improvisation
  • Comedy
  • Game
  • Ritual
  • Tradition

Llama Llama Game

Title: Llama Llama Game

General Information about Item:

  • Customary Folklore: Ritual, Tradition
  • English
  • USA

Informant Data:

  • Connor Lehan is 21 years old and was born in Providence, Rhode Island. He grew up in Boston, Massachusetts and currently lives there. He has been a member of Casual Thursday since his freshman fall. He had no experience with improvisation before joining Casual Thursday.

Contextual Data:

  • Social Context

This game is usually played before performances. All members of the group who are present for the performance participate in this game. Sometimes the game is played during practices or any other time a group member may request to play it. The informant cannot remember where exactly the game originated from but believes it is a modified version of the game “Bunny Bunny”.

  • Cultural Context

The game is very silly and carefree as it requires players to sing funny words and make animal hand signs. The game is representative of Casual Thursday’s carefree and fun culture.

Item:

Members play a game called “llama llama”. One person starts out with the llama, and passes the symbol around the group while a beat is clapped out. As the person passes the llama they point at themselves and then the other person saying “llama llama llama llama”. After another person receives the llama they pass it along by saying “llama llama llama llama” and pointing at themselves and then another person. People adjacent to the person with the llama do a small dance and say “toki toki toki toki”.

Associated file (a video, audio, or image file):

Llama Llama Game

Transcript of Associated File:

“There’s a beat. And then basically the idea is that you’re passing the llama around. So you go llama llama llama llama. And whoever is receiving it goes ‘llama llama llama llama’. And that keeps going on while the beat is continuing. And then whoever is the people adjacent to the person who currently has the llama, because they are so excited about being next to the person who has the llama, are going ‘toki toki toki toki'”

Informant’s Comments:

Informant believes this game is useful because it keeps people on their toes, increases energy and gets members excited and focused before a performance. It is also a fun game and helps members get comfortable and confident with being silly in front of large groups of people, as this is very important in the comedy work Casual Thursday does.

Collector’s Comments:

This game seems very similar to “Bunny Bunny”, but it is interesting how Casual Thursday uses it to prepare themselves and get ready before performances.

Collector’s Name: Shinar Jain

Compiled/Analyzed by: Sruthi Pasupuleti

Tags/Keywords:

  • Comedy
  • Improv
  • Game
  • Tradition
  • Ritual
  • Group

Huddle – “Go Bayside!”

Title: Huddle – “Go Bayside!”

General Information about Item:

  • Customary Folklore: Ritual
  • English
  • USA

Informant Data:

  • Connor Lehan is 21 years old and was born in Providence, Rhode Island. He grew up in Boston, Massachusetts and currently lives there. He has been a member of Casual Thursday since his freshman fall. He had no experience with improvisation before joining Casual Thursday.

Contextual Data:

  • Social Context

The huddle takes place right before members of the group perform, and after other pre-performance rituals such as “llama llama”, and rhyming games. All of the group members are present for the ritual. The informant believes the ritual has existed for a few years.

  • Cultural Context

Informant is not sure why the group says “Go Bayside!” as the phrase has no particular meaning. Often times group members say phrases that sound like “Go Bayside!” as a joke. The humor and carefree spirit of this huddle reflects the culture of Casual Thursday. Casual Thursday is a very spontaneous, and carefree group.

Item:

Before performing, all group members get in a circle and take a knee. One member (usually the President) gives a short, impromptu speech in which he usually yells at the members. After, the entire group chants “Go Bayside!”. Some members chant a phrase that sounds like “Go Bayside!” such as “Go Gay Guys!” or “Go Grapevine!”.

Informant’s Comments:

Informant believes the tradition is not intended to make sense or have a deep, and significant value. He believes the ritual probably originated because someone thought the phrase “Go Bayside!” was funny at one point. He explained that it is fun that no one knows what the phrase means, but everyone still participates in the ritual. Many of Casual Thursday’s rituals and traditions are fun and silly, and not necessarily serious – but the informant believes that as long as they are getting the group excited and focused, they are working.

Collector’s Comments:

Casual Thursday’s huddle is unique because they get down on one knee. It is interesting that they have been using a phrase for years, and no one knows the meaning or significance of the phrase. This reflects the spontaneous and silly culture of the group.

Collector’s Name: Shinar Jain

Compiled/Analyzed by: Sruthi Pasupuleti

Tags/Keywords:

  • Comedy
  • Improvisation
  • Huddle
  • Group

Music Ritual/Superstition

Title: Music Ritual/Superstition

General Information about Item:

  • Customary Folklore: Ritual,  Magic Superstition (If you do A then B)
  • English
  • USA

Informant Data:

  • Abhilasha Gokulan is 20 years old and was born in Saskatchewan, Canada. She grew up in Texas and is of Indian heritage. She is classically trained in Bharatnatyam and Odyssey, two types of classical Indian dance. She is a senior at Dartmouth College, studying economics and quantitative social science. She hopes to attend Law school.

Contextual Data:

  • Social Context

This ritual occurs before any performance the group has. All members of the team who are dancing in the performance are present. Informant first learned of this ritual her freshman fall before her first performance with the team.

  • Cultural Context

Raaz tries to create an inclusive culture and considers itself a second family. This tradition helps the team get closer, and strengthens the familial bond by providing all members with a shared experience.

Item:

Before performances, all members of the team who are dancing in the performance get ready together and while getting ready the team listens to the music for its performance on repeat. Members are warned not to listen to any other music before the show because the team thinks it is bad luck to do so (this is a superstition). While getting ready the members talk, help each other, go over the dance, and get to know each other. This is also a magic superstition because the team believes if anyone listens to music that is not the music for the set, they will have bad luck during the performance.

Informant’s Comments:

Abhilasha believes that having everyone get ready together is another reason why the team is as close as it is and serves as a second family for many of the team members. Listening only to the performance’s mix gets the team focused on the performance and excited for it.

Collector’s Comments:

It seems as though the ritual of getting ready together is another way in which Raaz tries to keep the team close. The superstition that listening to music that is not for the performance brings bad luck is interesting.

Collector’s Name:

Shinar Jain

Compiled/Analyzed by:

Sruthi Pasupuleti

Tags/Keywords:

  • Dance
  • Team
  • Superstition

Gelato Surprise

Title: Gelato Surprise

General Information about Item:

  • Customary Folklore- Ritual
  • English
  • United States

Informant Data:

  • Abhilasha Gokulan is 20 years old and was born in Saskatchewan, Canada. She grew up in Texas and is of Indian heritage. She is classically trained in Bharatnatyam and Odyssey, two types of classical Indian dance. She is a senior at Dartmouth College, studying economics and quantitative social science. She hopes to attend Law school.

Contextual Data:

  • Social Context

This ritual takes place once a year with the entire team present. It occurs during the fall term a few weeks after new members have joined the team. The informant first took part in this tradition during her freshman fall.

  • Cultural Context

Raaz’s culture is very inclusive and the team members are very close to each other. The tradition helps returning members of the team bond with the newer member and makes the newer members feel special and included.

Item:

This tradition usually occurs before the first performance of the fall term. The captains record the team dancing during the last practice before the performance, and tell the rest of the team that the dance is not coming together and extra practice will be needed. After the practice ends, the captains lead the team to one of their rooms for “extra practice”. At one of the captain’s rooms, the new members are yelled at and given fake criticism for a few minutes, before they are surprised with gelato. The returning members of the team are aware that the “extra practice” is a trick, but the new members are surprised. After, the entire team eats gelato and other snacks, talks, and gets to know each other.

Associated file (a video, audio, or image file):

Gelato Surprise Interview

Transcript of Associated File:

“We’ll trick our freshmen into thinking that, um, we’re super unprepared for a show and that we have to do more practice or they’re about to get a lecture for being not on top of their or like not on their game. And so what we’l; usually do is the captains will go buy gelato from Moranos and have that in one of their rooms but pretend like we’re going to do another practice or they’re going to get lectured and well drive them to the room and slightly start berating them. But then surprise them with um, gelato which they really enjoy. I think it’s just one of those things that’s fun for all of the classes because it’s, the upperclassmen kind of know the secret and we’re like haha like the babies don’t know whats coming for them and like they’re all really scared, and then it’s like this big surprise in seeing their faces of like just relief of that they don’t have to dance again before the night of the show but also just kind of seeing that we do still like, appreciate what they bring to the team etc. And considering that we are um up until now a team that also just does include all Indians it kind of becomes um a way for and of also like all females, it kind of becomes a way for the girls to have a home away from home. Um and so especially as the team gets bigger and bigger it’s harder to form um, sort of that familial bond and that is one of the ways we do it. It’s just to make sure that everyone knows that even though, especially before performances when the captains and the seniors can get kind of harsh and just again its one of those things where we want the team to look good for everyones sake, just reminding them that like, Raaz is going to be family first and we do love each other and care for each other.”

Informant’s Comments:

  • Informant believes the tradition helps new members see that what they bring to the team is appreciated. She also explains that leading up to performances practices can become more tense as captains become pickier in order to perfect the dance. As a result, the gelato surprise helps the team relax and bond after some stressful practices. The team also has a history of being all female and of all people having an Indian heritage, so the informant believes the team often serves as a home away from home and the surprise helps strengthen this familial bond.

Collector’s Comments:

  • The gelato surprise is a fun tradition that gives the team time to relax and get to know each other outside of practices.

Collector’s Name: Shinar Jain

Compiled/Analyzed by: Sruthi Pasupuleti

Tags/Keywords:

  • Ritual
  • Dance
  • Team

Raaz Huddle

Title: Raaz Huddle

General Information about Item:

  • Customary Folklore: Ritual, Tradition
  • English
  • USA

Informant Data:

  • Abhilasha Gokulan is 20 years old and was born in Saskatchewan, Canada. She grew up in Texas and is of Indian heritage. She is classically trained in Bharatnatyam and Odyssey, two types of classical Indian dance. She is a senior at Dartmouth College, studying economics and quantitative social science. She hopes to attend Law school.

Contextual Data:

  • Social Context

The huddle takes place with all members of the team who are present. Even if a member is not dancing in the performance, if they are present, they participate in the huddle. Often times if members who have graduated are present they also join the huddle. The huddle happens a few minutes before the team begins the performance. The informant believes the huddle has been a ritual since the team was created in 2011.

  • Cultural Context

Raaz’s culture is very inclusive and the huddle is a tradition that helps the team bond with each other. Raaz also prides itself on being a fun group, and hopes that members think of dance as a way to relax and the chant reflects this focus on fun.

Item:

Before performances, members of the team get together in a circle with their arms around each other. They sway back and forth and put one hand into the center of the circle. Sometimes a captain will give a pep talk, and other times there is no pep talk but the team proceeds to the chant. Someone (usually a captain) begins to chant “paneer, paneer, paneer, Raaz up!” and all of the members join in. On the words Raaz up all of the members raise their hands.

Associated file (a video, audio, or image file):

Informant’s Comments:

Informant is not sure where the actual chant originated from. She believes the chant has changed over time and started as “1, 2, 3, Raaz”, became “1, 2, 3, Raaz Up!”, “paneer, paneer, paneer, Raaz” and became “paneer, paneer, paneer, Raaz up!” this year. She believes the chant shows that the team is not strict or boring, but rather is a place for members to relax and have fun. She thinks the purpose of the chant is that often before performances people relax and get ready in different ways. Some people do not like thinking about dance at all. The huddle is a way to get everyone focused and bring them back to thinking about dance.

Collector’s Comments:

The huddle is a tradition that many performance groups have, but the chant Raaz uses is interesting. It is very lighthearted and seems to reflect the culture of the group.

Folklore Collector’s Name:

Shinar jain

Compiled/Analyzed by:

Sruthi Pasupuleti

Tags/Keywords:

  • Huddle
  • Team
  • Dance