Tag Archives: Homoeroticism

Rosalind: A Bolster of the Gender Binary

The re-arrangement of gender roles in Shakespeare’s As You Like It speaks to the clear differences between gender and sexuality normativity. With regards to gender, the play utilizes a clear binary- male or female. There are two genders, and gender is not a social construct of Shakespeare’s time, rather directly linked to an individual’s sex. The spectrum of sexuality in the play however, is more fluid and not, like gender, boxed into a binary. While the couples in the play will end as heterosexual pairs, the play allows for differences from the so-called norm with different characters expressing their sexuality.

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Bassanio’s Sexuality

Bassanio’s sexuality can be examined and scrutinized despite his seemingly heteronormative actions and intentions. The homoerotic undertone of Antonio and Bassanio’s relationship is easily discussed by analyzing the dedication and declarations of love by Antonio because he does not have a heterosexual romantic relationship to counteract against his love for Bassanio. Bassanio’s commitment to Portia, however, does not dictate his sexuality or establish his heterosexuality. Remembering that Bassanio’s relationships take place during a time when homosexuality is a sin and a punishable crime, the audience can translate Bassanio’s actions as the actions of one who is assumed heterosexual by societal default.  His attraction to Portia is not being dismissed just because he is not heterosexual. Instead, modern audiences can discuss the idea of bisexuality or a fluid sexuality. Continue reading

Were the World Mine: A Queer Shakespearean Adaptation


Cory James Krueckeberg and Tom Gustafson’s musical adaptation of Shakespearean classic A Midsummer Night’s Dream utilizes the literary magic of Shakespeare to incorporate pressing and important present day issues regarding homophobia and toleration. Were The World Mine addresses the tale of Timothy (Tanner Cohen), a persecuted gay student at an all-boys private school outside of Chicago, and his fantastical forays into a dream world of songs, dance, and lustful mayhem. An anthem for acceptance and toleration, Were the World Mine incorporates traditional Elizabethan play elements, text, and costumes in the present world of an all male, testosterone-driven play setting. Continue reading

Helena and Hermia and Homoeroticism

In Shakespeare’s play, A Midsummer’s Night Dream, he plays with and examines multiple different forms of ‘normal’ heterosexual relationships. The ‘mischievous-ness’ aspect, so celebrated of the work, places different male and female characters together under a love juice. Characters continue to change the objects of their desires throughout the play, under the guise of the juice, forcing the viewer to accept different partners, thus allowing for the possibility of homoeroticism. The rigid gender hierarchy present in Shakespeare’s time and play leads to a sexual hierarchy as well. Same sex relations were not permitted, yet the play does have moments of ambiguity.

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