Tag Archives: fairies

Were the World Mine: A Queer Shakespearean Adaptation


Cory James Krueckeberg and Tom Gustafson’s musical adaptation of Shakespearean classic A Midsummer Night’s Dream utilizes the literary magic of Shakespeare to incorporate pressing and important present day issues regarding homophobia and toleration. Were The World Mine addresses the tale of Timothy (Tanner Cohen), a persecuted gay student at an all-boys private school outside of Chicago, and his fantastical forays into a dream world of songs, dance, and lustful mayhem. An anthem for acceptance and toleration, Were the World Mine incorporates traditional Elizabethan play elements, text, and costumes in the present world of an all male, testosterone-driven play setting. Continue reading

Behind the Romance and Comedy of A Midsummer Night’s Dream

On the surface, Shakespeare’s A Midsummer Night’s Dream appears to be a light-hearted play. The text’s twisted plot negotiates issues of power and love in seemingly ludicrous ways. Examples that emerge from the play range from Titania’s being forced to love an ass to the confusion of four mortals: Demetrius, Helena, Hermia, and Lysander. Although the plot unfolds as a comedy, a closer examination of the characters’ actions and dialogue reveal a darker side to the play’s seemingly harmonious conclusion. Continue reading

Changeling: Usage In “A Midsummer Night’s Dream” vs European Folklore

In “A Midsummer Night’s Dream,” Fairy King Oberon and Queen Titania are at odds with each other because of some individual referred to as a “changeling.” Puck, Oberon’s main attendant, describes the source of the strife: “For Oberon is passing fell and wrath, Because that she as her attendant hath a lovely boy, stolen from an Indian king; She never had so sweet a changeling:” (Ii.i.20-24). Continue reading

What’s in a Dream?

The title of Shakespeare’s “A Midsummer Night’s Dream” suggests the act of dreaming, and what dreams mean will play a significant role in the play. However, the word “dream” only appears 14 times throughout the play and the only variation of it, “dreams,” appears just twice. So we must pay close attention to each use of the word and the context in which it is used to understand the significance of the title and perhaps find a deeper meaning to the entire play.

Continue reading