Are We Afraid of Beauty? (II)

Vesuivus
Pierre-Jacques Volaire, The Eruption of Vesuvius, 1771. At the Art Institute Chicago.

Some time ago, I asked in two successive posts whether we really were afraid of beauty nowadays and whether that had significantly altered our approach to thinking about virtue. I wrote a response that was brief and not as comprehensive as I had imagined; it was merely putting pen to paper for a thought that was begging to be let out. Since then, I have had the opportunity to read more widely on the subject, and a book that has caught my attention is Elaine Scarry’s On Beauty and Being Just, which was delivered as the Tanner Lecture on Human Values at Yale University in 1998.1 Scarry’s lectures are marvellous works, and excised of their drooling over the work of Matisse, asks an important question: how are beauty and justice connected? Can the beautiful be connected to the just? Scarry identifies two roles that beauty takes — first, as the progenitor of wonder; second, as creating what she terms the “pressure toward the distributional,”;2 — that are integral to our understanding and comprehension of the world. Through this essay, I will take some of Scarry’s ideas and apply them to areas of inquiry that I intend to probe further.

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  1. (Princeton: Princeton University Press, 1999)
  2. Ibid, 67.

More and the Nature of Work

For someone who complains so regularly about utopias, it is quite the travesty that I have never managed to find the leisure or the inclination to read Thomas More’s Utopia,1 even if small segments and portions have managed to make their way into my thought, perhaps inadvertently. I cannot deny that the text has been immensely influential; it is of primary interest to me because of the spatial and aesthetic sensibilities it embodies. If we had to make a real world anew, what would we include? What would we leave out from the domain of stipulation? These are important questions, but I am already getting ahead of myself. This piece focuses on my impressions and the concerns highlighted in the first book; I shall pick up the next day on issues in the penultimate and ultimate books.

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  1. Thomas More, Utopia, trans. Ralph Robinson, in Three Early Modern Utopias, ed. Susan Bruce, Oxford World’s Classics (Oxford: Oxford University Press, 1999).