Are We Afraid of Beauty? (II)

Vesuivus
Pierre-Jacques Volaire, The Eruption of Vesuvius, 1771. At the Art Institute Chicago.

Some time ago, I asked in two successive posts whether we really were afraid of beauty nowadays and whether that had significantly altered our approach to thinking about virtue. I wrote a response that was brief and not as comprehensive as I had imagined; it was merely putting pen to paper for a thought that was begging to be let out. Since then, I have had the opportunity to read more widely on the subject, and a book that has caught my attention is Elaine Scarry’s On Beauty and Being Just, which was delivered as the Tanner Lecture on Human Values at Yale University in 1998.1 Scarry’s lectures are marvellous works, and excised of their drooling over the work of Matisse, asks an important question: how are beauty and justice connected? Can the beautiful be connected to the just? Scarry identifies two roles that beauty takes — first, as the progenitor of wonder; second, as creating what she terms the “pressure toward the distributional,”;2 — that are integral to our understanding and comprehension of the world. Through this essay, I will take some of Scarry’s ideas and apply them to areas of inquiry that I intend to probe further.

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  1. (Princeton: Princeton University Press, 1999)
  2. Ibid, 67.

Marginal Notes toward a Politics of Space

Socrates, awaiting his execution in a prison cell in Athens, tells his protégé this nugget of wisdom: “the good life, the beautiful life, and the just life are the same” (Crito, 48b). The just, the beautiful, and the true are intrinsically linked together, for they take their ideal form in the wholly abstract world of forms. In this essay, I do not seek to argue for the nature of beauty, or for aesthetic characteristics of an objective standard of beauty, but only that the current manner in which aesthetic degradation has permeated into life is subversive to the ends of the polis — namely, it actively works to subvert human flourishing, broadly understood — and must be dealt with in the strongest possible terms. The importance that is attached to this subject arises from a strong sense of architectural exceptionalism and the moral character inherent in architecture and in any sort of grand design.

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