Smith’s Laissez Faire Solution to Happiness

I was led to the following passage in Adam Smith’s Theory of Moral Sentiments by Joseph Crospey’s book, Polity and Economy, which has found mention and discussion on this blog previously. The passage in concern is at 4.1.10, and is of considerable length: long enough to jump across pages and, faced with justified type, blend into a whirlwind of serif lettering with no sense of time or space. For ease of comprehension, I ought to break it down.

The opening lines of the passage refer to the conclusion of the preceding (and comparatively minuscule) one: “The pleasures of wealth and greatness, when considered in this complex view, strike the imagination as something grand and beautiful and noble, of which the attainment is well worth all the toil and anxiety which we are so apt to bestow upon it” (TMS 4.1.9). This is what Adam Smith will refer to as nature’s imposition upon man: it makes outward riches seem more attractive than they actually are, deluding and misleading the senses. But wealth is characterised by Smith in terms of its grandeur, beauty, and nobility — in aesthetic terms before moral ones. Why, precisely, wealth confers nobility upon its possessor is a question not for those content with their station, or those who seek knowledge and may well prefer inner wealth to outward displays of it. Wealth is clearly not desirable in itself, but only for the aesthetic embellishments it can afford. But, one may ask, what does the acquisition of wealth have to do with honour? This is a question one can only turn back to Smith. Honour is ambiguously defined in Smith’s work, and definitions of it are often provided in contexts such as this, where it is contextually implied that it is a good thing, but it is not conferred by outward, material goods. Honour belongs to the non-material world, and for the material world to be responsible for its production is precisely the wool that is pulled over one’s eyes by nature.

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Adam Smith’s Hidden Debt to Thomas Hobbes

Hobbes Leviathan Frontispiece
Detail from the frontispiece for the first edition of the Leviathan (1651) by Thomas Hobbes; lead etching by Abraham Bosse.

Adam Smith and Thomas Hobbes are not usually mentioned in the same sentence together, much less positively. But this is a key line of argument in Joseph Crospey’s book, Polity and Economy, which subtly examines and points out the links between the two canonical thinkers.1 Crospey, a student of Leo Strauss, and later co-editor with Strauss of their edition of the History of Political Philosophy, wrote the book early in his academic career, and although he added a mini-biography of Smith in a later edition, did not change the first four chapters that comprise this deep-reaching analysis of Smith.

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  1. Joseph Crospey, Polity and Economy: An Interpretation of the Principles of Adam Smith (The Hague: Martinus Nijhoff, 1957).

Who was Adam Smith?

Smith
A statue of Adam Smith at the old University of London Premises | Wikimedia Commons

Jesse Norman’s book on Adam Smith, Adam Smith: What He Thought and Why It Matters,1 is the coming of age of a new ‘tradition’ of interpreters of Adam Smith, a project that began first with the editors of Glasgow Edition of the Works of Adam Smith and has reached significant proportions today. Like Norman, thinkers in this tradition look to examine Adam Smith in all his richness, seeking to expose for posterity their theory of a unified Adam Smith. In some parts, they have been successful, especially when it comes to Smith’s own personal life, but in others, particularly relating to that of ‘das Adam Smith problem’, the project has left gaping holes and bridges built on substandard foundations. Norman’s book is emblematic of this approach: although Norman is a Conservative M.P., there is very little that is conservative in his mode of analysis and experience that he brings to the book, which he cleanly divides into three parts: Life, Thought, and Impact.

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  1. (London: Penguin Books, 2019).