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winds, worlds, & winding words
words i've written // julia robitaille '23
Pre-College
Why Dartmouth?
On Running
Twitter Vortex Sutra #3
Causes, Effects, and Prevention of Free Radical Damage
First Year Writing
Town & Gown
Symbolic Seasonal Change in Edith Wharton’s Summer
The End of Elm
Hitler and Elvis: Issues of Race in White Noise
Writing 5: Reflections
The Art of the Interview
Brighter Days To Come: A Profile Amidst A Global Pandemic
A Dose of Kesey: The Imagined Interview
Miscellaneous Words
Among the Trees in the Rain
The Fire
A Very Short Story with a Turn
Dust in The Wind: A Hidden Buddhist Scripture?
Second Year Writing
Modern Black American Literature
The New Abolition
Week 1 Reflection
Week 2 Reflection
Week 3 Reflection
Week 4 Reflection
Week 5 Reflection
Week 6 & 7 Reflection
Week 8 Reflection
Week 9 Reflection
Intro to Creative Nonfiction Writing
Reading Journal
Narrative Realization
Something like Nostalgia
Red Taped Bindings
Hard Feelings
Frank’s Place
Isolation & Illusion
Woodstock, VT
Anonymous Living
Carey
Literary History (Mid-17th to 19th Century)
Etymology in Lovelace’s “To Althea, From Prison”
Phyllis Wheatley’s “On Being Brought from Africa to America”
Etymology of “Ozymandias”
Imitacio: Edmund Burke on Byronic Beauty in “She Walks in Beauty”
Analysis Through Synthesis: Canetti & Dickensian Crowds
Epitaph on a Sailor Comparison to Lycidas
Intermediate Creative Nonfiction Writing
writer’s statement
julia
frank
adrian
tony
mitch
christine & fuji
bettisville: hidden in plain sight
International Politics
Power & Security: The Conflictual Future of International Politics
Resistant to Change: The Future of the Post-WWII Liberal Order
John Milton
Reliance or Encroachment: Criticism Review on Female Vine Imagery in Paradise Lost
Intertwined & Growing Upward: How Milton’s Monistic View Complicates the Vine and Elm Conceit in Paradise Lost
Publications
About Me
Carey
Link to my final project:
“there was no way of knowing whether or not it was there…”