[Arthur Miller, half-length portrait, facing right, with pipe in his mouth]. Photograph. Retrieved from the Library of Congress, <https://www.loc.gov/item/94509076/>.
“Arthur Miller’s The Crucible.” YouTube, uploaded by The Tony Awards, 1 June 2016, https://www.youtube.com/watch?v=NCrWrXS2Drc.
Atkinson, Brooks. “The Crucible.” The New York Times (On the Web), 23 Jan 1953.
Aziz, Aamir. “Using the Past to Intervene in the Present: Spectacular Framing in Arthur Miller’s The Crucible.” New Theatre Quarterly, vol. 32, no. 2, 2016, pp. 169-180.
Block, Herbert, Artist. Death of a salesman / Herblock. Photograph. Retrieved from the Library of Congress, <https://www.loc.gov/item/2006682398/>.
Block, Herbert, Artist. “I pledge allegience to Joe McCarthy and to the committee which stands for him –“. [6-1] Photograph. Retrieved from the Library of Congress, <https://www.loc.gov/item/2012633209/>.
Brantley, Ben. “Review: In Arthur Miller’s ‘Crucible,’ First they Came for the Witches.” ProQuest Central, Mar 31, 2016.
“The Crucible Trailer (1996).” YouTube, uploaded by CappaZack, 27 Oct 2012, https://www.youtube.com/watch?v=iUIAxTxrnCc.
Isherwood, Charles. “Legit Reviews: Broadway: “the Crucible”.” Variety, vol. 386, no. 5, Mar, 2002, pp. 32-33.
Kavallines, James, photographer. [Elia Kazan, full-length portrait, standing before bookshelves at Brentano’s book store / World Journal Tribune photo by James Kavallines]. Photograph. Retrieved from the Library of Congress, <https://www.loc.gov/item/96516144/>.
Miller, Arthur. The Crucible. Bantam Books, 1963.
Miller, Quentin D. “The Signifying Poppet: Unseen Voodoo and Arthur Miller’s Tituba.” Forum for Modern Language Studies, vol. 43, no. 4, 2007, pp. 438-454.
Monroe and Miller depart for London. Photograph. Retrieved from the Library of Congress, <https://www.loc.gov/item/94509075/>.
Parry, Dale D. Exploring the Morality of Arthur Miller and Elia Kazan to Show How It Affected Their Work, Friendship and Society. MA Thesis, University of Nevada Las Vegas, 2002.
Rosenthal, Bernard. “Tituba.” Magazine of History, vol. 17, no. 4, 2003, pp. 48-50.
Roszak, Suzanne. “Salem Rewritten again: Arthur Miller, Maryse Condé, and appropriating the Bildungsroman.” Comparative Literature, vol. 66, no. 1, 2014, pp. 113-126.
Sabinson, Eric Mitchell. Script and Transcript: The Writings of Clifford Odets, Lillian Hellman and Arthur Miller in Relation to Their Testimony Before the U.S. House Committee on Un-American Activities. Dissertation, University of New York at Buffalo, 1986.
[Tituba Teaching to 4 Children the First Act of Witchcraft]. [No Date Recorded on Caption Card] Photograph. Retrieved from the Library of Congress, <https://www.loc.gov/item/2003663675/>.
Tucker, Veta Smith. “Purloined Identity: The Racial Metamorphosis of Tituba of Salem Village.” Journal of Black Studies, vol. 30, no. 4, 2000, pp. 624-634.
Wonders of the invisible world: being an account of the trials of several witches, lately executed in New England…by Cotton Mather. Photograph. Retrieved from the Library of Congress, <https://www.loc.gov/item/2002697698/>.