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Serena E. Suson
Serena E. Suson
A Digital Portfolio
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Creative Works
English
Prose
My Lady, Life
Masquerade
A Return on Words
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Cause Not to Barbary
The Crucifixion
Envy and the Apple
Honey
Like Real People Do
The Myth of Tiresias
A Simple Machine
This Love Thing
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Una batalla de puros
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La chica en la cueva
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Dartmouth Essays
Winter 2022
HUM 2: The Modern Labyrinth
The Fantasy of José Clemente Orozco’s Epic
Spring 2022
ENGL 34 – Modern American Drama
Rediscovery in Long Day’s Journey into Night and After the Fall
Winter 2023
GRK 28: Philosophy
Reflection on Lissarrague and Anne Carson (1/21/23)
Diotima’s Speech (2/19/23)
Reflection on Halperin’s “Why is Diotima a Woman?” (2/25/23)
ENGL 62.12: Jane Austen
Money and Morality in Pride and Prejudice
Spring 2024
ENGL 17: John Milton
An Inspection of the Ode: A Metaphysical Analysis of Marvell’s “Horatian Ode”
Two as One: The Mission of Mankind in Paradise Lost
ENGL 74.06: Frantz Fanon: Colonial War and Mental Disorders
Consciousness: Fanon’s Origins for the Postcolonial Self
Winter 2025
GRK 30.10: Alcibiades
Gods among Men: The Effect of Divinity upon the Dialectic in Plato’s Alcibiades
Spring 2025
THEA 17
Digital Theatremaker Profile: Eugene O’Neill (1888–1953)
Digital Theatermaker Profile #2: Derek Walcott (1930–2017)
Spare Rib
Anna Christie and the Feminist Horror of Fractured Desire
The Feminist Monolith: On Purpose and Identity
Mimesis: Memes, Fanon, and the Revolution of Optimism
Open Door Legal
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THEA 17
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