Author Archives: f002qn1

Cello Superstitions

Title: Cello Superstitions

General Information about Item:

  • Superstitions
  • Language: English
  • Country of Origin: United States
  • Informant: Kevin Shu
  • Date Collected: 2-24-18

Informant Data:

  • Kevin Shu was born in Miami, Florida on July 16th, 1996. When he was four years old, his family permanently moved to Prairie Village, Kansas because his maternal grandmother got ill and Kevin’s parents wanted to care after her. In their new lives at a completely new place, Kevin’s parents realized that they loved Kansas and the peace and quiet that came with the place. They have lived in Prairie Village from then on. The first instrument that he learned to play was the piano. He was really good, but he didn’t like it too much. So, when Kevin was 12 years old, he persuaded his mom to let him take cello lessons, despite the fact that he had been playing the piano for six years. Although playing the cello is one of Kevin’s passions, he did not pursue music at Dartmouth, as he is a computer science major with an economics minor.

Contextual Data:

  • Cultural Context: There is a “culture” that comes with every instrument. And in many cases, these cultures are what bring the people associated with a certain object together. In the case of cello-related superstitions, it brings cellists together because they are all trying to avoid the “bad luck” that is said to be inflicted upon them if they refuse to take caution and do what they must do to avoid the negative consequences.
  • Social Context: This was mentioned when Kyle was asked about any rituals, superstitions, or habits he and other cellists in DSO have regarding their cellos. Because Kyle is a freshman who just recently joined DSO, he said that he might not know much about the “cello culture” at Dartmouth, and specifically those associated with DSO.

Item:

  • During his interview, Kevin mostly talked about the superstitions that he was heard over the years regarding the cello. He brought up two superstitions to talk about. The first superstition was one that he found out about back in Kansas, that he ended up sharing to the other cellists in DSO. Now, they all share this superstition (among other superstitions). This is that if you don’t swing your bow up and down three times after rosin, then you will not play well that day.”
  • The second cello-related superstition that Kevin mentioned was that if you lose your rosin before finishing it, then it is bad luck.”
  • It is tradition to set down your cello on its left side when you are not playing.

Associated file (a video, audio, or image file):

Cellists set down their cello on its left, like shown in the picture.

Transcript:

Informant’s Comments:

  • According to Kevin, there are many, many superstitions that deal with cello, or just musicians in general. However, he said that only a few are actually practiced regularly by musicians to avoid bad energy/bad luck.

Collector’s Comments:

  • Surprisingly, Kevin did not mention the “tightness” of the cello section during this interview. I expected him to talk about the strong community that exists among the cellists in DSO, because all of the other informants that I interviewed talked at length about that. Perhaps Kevin did not mention this because he decided that he could not be a part of DSO his senior year of college because he was going to be missing a lot of practices/rehearsals due to personal issues. Maybe he wasn’t/isn’t able to spend a lot of time with other cellists in DSO after he left.

Collector’s Name: Junny Lee

Tags/Keywords:

  • Superstition
  • Rosin
  • Cello
  • Left-side

Keychain of First Chairs

Title: Keychain of First Chairs

General Information about Item:

  • Material folklore, tradition
  • Language: English
  • Country of Origin: United States
  • Informant: Eddie Pyun
  • Date Collected: 2-24-18

Informant Data:

  • Eddie Pyun was born in Voorhees Township, New Jersey on September 24th, 1995. He and his family moved between Voorhees Township and a neighboring town back and forth a few times. When Eddie was 10 years old, he and his family moved to Pennsylvania because of his father’s job. Eddie’s mom was a musician (pursued music in college), and was very good at the oboe and piano. Because of his mom’s appreciation for music, she wanted Eddie to play the cello since he was seven years old. However, Eddie was very against playing the cello at that time of his life. It was not until shortly before Eddie’s eleventh birthday that he agreed to learn the cello. He picked up the instrument very fast and loved playing. Although he loved playing the cello, Eddie did not think of actually pursuing music for a career coming into college. He decided during his freshman year at Dartmouth that he wanted to major in music and psychology.

Contextual Data:

  • Cultural Context: Although passing on the keychain among cello first chairs has been a tradition in the Dartmouth Symphonic Orchestra for whoever knows how long, every time a first chair cellist passes on the keychain to the next first chair, he/she probably shares a special feeling with all of the previous first chairs that also had to pass on the item at one point. The first chairs probably feel the most connected to each other at the moment they receive and give the keychain from/to someone else.
  • Social Context: This item of folklore was collected from a current senior who had been traveling on the weekends for a few weeks for interviews for music graduate schools. Since he was preparing for his life after college, he probably felt very reminiscent about both the good and bad times he had at Dartmouth. Everything probably feels very surreal to him as he will be leaving Dartmouth very soon. So, given this context, Eddie thinking about passing the keychain onto the first chair that will succeed him probably will remind him of how he was given the keychain almost a year ago.

Item:

  • Eddie, who is first chair cellist, talked about the old keychain that was passed down to him, from the previous first chair cellist. According to Eddie, not everyone, even within the cello section, knows about the existence of this keychain, but all the previous and present first chairs definitely do. The first chair before him told Eddie that it was just a token to remind him that there is history and culture that comes with being a cellist in DSO.

Associated file (a video, audio, or image file):

This is Eddie with his cello after a DSO concert.

Transcript:

  • “There is this keychain that is handed-down to present first chair cellists from past first chair cellists. The keychain itself is pretty small and blue. It definitely looks pretty old because it has scratches everywhere. No one really knows for sure who started this tradition or even when it started, but the tradition continues. Not everyone within the cello section knows about the keychain, because it isn’t really something that is talked about, unless you are first chair and you had or currently owned the keychain at some point. I used to carry it around in my backpack when I was first presented with it, but now I’m too scared that I will somehow lose it, so I keep it in my room.”
  • “Our group is super close. We actually are the only section within DSO that has a GroupMe.”
  • “Unlike most of the other musicians in DSO, cellists collaborate and work together for the good of the whole section rather than being individuals who just happen to play the same instrument.”
  • “Even though I am first chair, I credit my stand partner for the sense of team that exists within our section. He is such a likable person with strong leadership skills. Almost makes me want to switch chairs with him so he can have the title of being ‘first-chair’ because he deserves it more than I do!”

Informant’s Comments:

  • This is Eddie’s last year at Dartmouth, and he is so glad that he was a part of DSO as a cellist for the sense of community and support that it brought him. He is thankful for the experience and cannot wait to go off to graduate school for music in the coming fall (he just had finished traveling for his interviews, and he is particularly looking forward to hearing back from Northwestern University).

Collector’s Comments:

  • I interviewed Eddie a few days after the DSO concert (that occurs every term), so Eddie had just  spent a lot of his time at rehearsals and practices with just the cello section.

Collector’s Name: Junny Lee

Tags/Keywords:

  • Material lore
  • Handed-down
  • Keychain
  • Eastman School of Music
  • Close

Weekly Meals and Birthday Cakes

Title: Weekly Meals and Birthday Cakes

General Information about Item:

  • Customary folklore, tradition
  • Language: English
  • Country of Origin: United States
  • Informant: Kyle Bensink
  • Date Collected: 2-15-18

Informant Data:

  • Kyle Bensink was born in Victor, New York on August 31, 1998. Although Kyle was born in Victor, his family moved to Rochester—a city adjacent to Victor—when Kyle was just three years old. Ever since then, Kyle and his family have lived in the city. According to Kyle, his family is rather musically talented, and generally interested in the arts. He said that his father is the more musically talented one out of his parents, as his father played the piano, violin, and guitar throughout his lifetime, while his mom was a part of an acapella group in high school and college. In this way, Kyle was extremely susceptible to music from a very early point in his life, as music was a big part of his family’s identity. Kyle first picked up the cello when he was five years old. Currently, Kyle is a freshman at Dartmouth College. At school, Kyle enjoys playing for Dartmouth Symphonic Orchestra (DSO). He plans on majoring in physics and minoring in music.

Contextual Data:

  • Cultural Context: Within any group of students/peers/friends, there is always some sort of “culture.” Going off of this idea, there definitely is a culture around the Dartmouth Symphonic Orchestra (DSO). Within DSO, there subgroups that are separated by the type of instruments. And each of these subgroups have their own separate identity and culture. As seen through the eyes of a cellists in DSO, the cello section (subgroup) is the tightest group that exists within DSO.
  • Social Context: These items were mentioned when I asked Kyle about any rituals or traditions that the cello section was a part of. At first, he had a hard time coming up with these items, as he was unsure whether the item he had in mind was actually an item that could be used for this project. During the interview, Kyle also talked about how tight the cello section was, as all of the cellists were willing to make plans outside DSO. The weekly meals between stand parents and the birthday cakes probably make the cello section very conducive to becoming friends with each other.

Items:

  • The two items of folklore that Kyle mentioned during the interview were that stand partners get weekly meals throughout the term and that all the cellists chip in to buy a cake from Lou’s when it is someone’s birthday within the section. Apparently, the cello section is the only subgroup within DSO that does this for everyone in the group.

Associated file (a video, audio, or image file):

Transcript:

  • “I actually didn’t go on trips. So I did feel a little left out when other freshman came into college already knowing other people, when I did not know a single person on campus. My freshman floor also wasn’t the tightest, so I had a hard time figuring out where I belonged at school. DSO was actually one of the first communities I got involved in. The community that DSO provided made me feel comfortable and supported. Now, I obviously have friends outside DSO, but my closest friend in college is also a cellist with me here.”
  • “My favorite thing about being a cellist in DSO is that the cello section is very tight. Stand partners try to get weekly meals right before or after rehearsals or practices. Of course sometimes it doesn’t work out because everyone is so busy all the time, but we all genuinely want to get meals together.”
  • “Another thing I like is that whenever it is someone’s birthday in the cello section, we buy a carrot cake from Lou’s for that person. It’s so neat that the section never forgets to do this.

Informant’s Comments:

  • This is Kyle’s first year at Dartmouth, and he cannot wait to be a part of the cello section in DSO for all four years of his time in college. He says he really feels at home within his section.

Collector’s Comments:

  • I interviewed Kyle only a few days before the termly DSO concert, which means that he was busy spending a lot of his time at rehearsals and practices with just the cello section in order to prepare for their concert.

Collector’s Name: Junny Lee

Tags/Keywords:

  • Customary lore
  • Weekly Meals
  • Birthday Cakes
  • Cello
  • Cellists
  • DSO