Who wins a war in a perfect world, and who emerges as king? Is there war in your perfect world so you can always be the victor? And what would the soldiers loyal to your opponent say – in this perfect world? And what would their mothers say after the defeat with a flag in place of a child, living in your “Eutopia”? Continue reading
Tag Archives: shakespeare
Liking and Likeness in As You Like It
The title of Shakespeare’s play As You Like It, immediately suggests that the notion of liking and likeness will be a central theme. We find that who we like is based on a person’s similarity to other people we like. Identifying a likeness of qualities between people helps us establish who we like. Continue reading
Shake it up, Shakespeare baby!
Recipe for a BBC Original British Drama: one Benedict Cumberbatch voiceover, increasingly dramatic music, a montage of close-ups—oh, and don’t forget the Shakespearean monologue. How’s this?
The Motley Fool
“Motley” arises in As You Like It precisely eight times, half of which appear within twenty-two lines of each other, and the majority of which are spoken in the same act, the same scene, and by the same character. To no surprise, this character so seemingly infatuated with “motley” is none other than Jacques.
What is History?
Absorbing national history into crafted play with characteristic ingenuity, Shakespeare exposes the idiosyncratic quality of historical construction. To substantiate the narrative bulk of 1 King Henry IV, Shakespeare used the Holinshed Chronicles, an ambitious record of English history published in the late sixteenth century. Departing from the Chronicle’s narrowed occupation with succession, war and insurrection — cue Marx: “the ideas of the ruling class are in every epoch the ruling ideas” — the play includes a distinctive breadth that initiates an interrogation of the historical subject.
A Hip-Hopping, Rapping, and Beat-Boxing Twist to King Henry IV
Ever wonder what would happen if someone were to use characters from Shakespeare and make a musical inspired by them? What if a single person performed all of the roles?
Emerging playwright Matt Sax pushes the boundary of acceptable story content in his one man musical, “Clay,” using an combination of hip-hop, rap, and comedy to tell the coming of age story of Clifford, a traumatized teenager fleeing from a fractured family at home. While many renditions of “King Henry IV” have been acted over the centuries, this modern take on the play loosely fleshes out Prince Hal and Flagstaff’s mentor-student relationship, weaving contemporary struggles of an adolescent musician with a dark childhood.
Who Decides History?
Shakespeare is remembered as a great playwright. But he was more than just that. We must remember that Shakespeare didn’t just write about English history, he helped create the history of England for the people of the Elizabethan era and beyond. We often believe history to be fact, but in fact history is really just what information was written down or stored at a certain time and passed down to today. Because of their popularity and endurance, Shakespeare’s plays therefore play a huge role in shaping our perception of English history. Shakespeare crafted his plays about Henry IV to make political points about 16th century Elizabethan England, and these plays became a primary source of history to his audiences. We must therefore keep his biases in mind when reading the plays as “history.” Continue reading
What’s the deal with Owain Glyndŵr?
Owain who? Don’t you mean Owen Glendower? Well, not quite. Ask any Welshperson about Owen Glendower and they’ll probably look at you blankly. You see, Owain Glyndŵr is a large part of our history and, well, we’re not too big on the Anglicisation of our country’s greatest heroes. Continue reading
The Merchant of Venice: Stereotyping Shylock
Art is a reflection of reality, and so it must also be true that art is a mode for the production of reality’s darker features of racism, intolerance and prejudice. “The Merchant of Venice” and the characterization of Shylock reminds us all of the darker truths of the Elizabethan era, praised for its contributions to the arts that were built upon the foundations of lingering social conflicts and hierarchical supremacies. That Shakespeare constructed a villain in a very specific religious and racial group stands alone as a evidence to the existing social divides in Elizabethan England. That he did so after knowing few, if any, Jewish people at all is telling of a darker and more striking truth about the basis of prejudice that has remained present in the play throughout history. Continue reading
Mercy in the Courtroom: How Shakespeare Uses the Law to Influence Audiences
It is difficult to know whether it was Shakespeare’s intent to make his character Shylock in The Merchant of Venice a sympathetic character or a Jewish villain to satisfy an anti-Semitic audience. Clues to this debate can be gathered if we carefully consider Shakespeare’s treatment of Shylock in the courtroom. A conflict of mercy vs. vengeance and between the spirit and letter of the law become apparent in the courtroom scene of Act IV. Mercy is a central theme to both Christianity and Judaism and is used by Shakespeare to make larger claims about such religions. Continue reading