Ah, Shakespeare’s Measure for Measure — it’s no wonder Shakespearean scholars consider it a “problem play” (JStor – Measure for Measure and Elizabethan Comedy). Both the Duke and Isabella have some obvious moral issues that raise questions that need to be answered when deciding how the play is to be performed.
Ever wonder what would happen if someone were to use characters from Shakespeare and make a musical inspired by them? What if a single person performed all of the roles?
Emerging playwright Matt Sax pushes the boundary of acceptable story content in his one man musical, “Clay,” using an combination of hip-hop, rap, and comedy to tell the coming of age story of Clifford, a traumatized teenager fleeing from a fractured family at home. While many renditions of “King Henry IV” have been acted over the centuries, this modern take on the play loosely fleshes out Prince Hal and Flagstaff’s mentor-student relationship, weaving contemporary struggles of an adolescent musician with a dark childhood.